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Existing physical machines can be converted to virtual machines and continue operating just as they did when they were physical machines. This also opens up new possibilities. When a physical or virtual machine isn t functioning properly, a virtual copy can be made. The problematic machine can be fixed or replaced and brought back online while preserving the problem condition in the virtual copy. The virtual machine can be debugged at length without disturbing the original environment from which it came. System Center Virtual Machine Manager (SCVMM) 2008 has a tool for converting physical machines to virtual machines, which is known as P2V. It can also do virtual-tovirtual or V2V conversions of Microsoft Virtual Server or VMware virtual machines. You may also use third-party conversion tools that can be purchased or even obtained for free. System Center Virtual Machine Manager (SCVMM) conversion can be valuable in troubleshooting difficult-to-reproduce problems. Instead of telling your end user that a problem can t be reproduced, SCVMM 2008 can be used to do a P2V of the problem machine. You can provide the virtual machine to support personnel to analyze the problem at length without disrupting or inconveniencing the user.

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Virtual machines are well suited for creating test environments. To obtain the maximum value of a test environment, it must be valid and complete. Although a successful P2V provides a valid representation of a physical machine, it may not by itself comprise a complete test environment. For example, to test a global deployment of a SQL Server distributed database application, you would probably need a complete environment consisting of many virtual machines. Multiple virtual SQL Servers would be utilized. Each would be configured to the time zones used at corporate datacenters around the world. End user client experience testing requires multiple client virtual machines. Regional and language settings would be different in the various client VMs to match the corporate environment. Test environments are generally much more dynamic than production environments. To enable agility, templates and prebuilt building blocks such as virtual hard disks and ISO files are needed. ISO files are image copies of physical optical media

Linearity Linearity is the extent to which the output waveform of an amplifier is a faithful reproduction of the input waveform In hi-fi equipment, all the amplifiers must be as linear as the state of the art allows If you connect a dual-trace oscilloscope (one that lets you observe two waveforms at the same time) to the input and output terminals of a hi-fi audio amplifier with good linearity, the output waveform is a vertically magnified duplicate of the input waveform When the input signal is applied to the horizontal scope input and the output signal is applied to the vertical scope input, the display is a straight line In an amplifier with poor linearity, the instantaneous output-versus-input function is not a straight line The output waveform is not a faithful reproduction of the input, and distortion occurs In some RF amplifiers this is all right In hi-fi audio systems, it is not Hi-fi amplifiers are designed to work with input signals up to a certain peak (maximum instantaneous) amplitude If the peak input exceeds this level, the amplifier becomes nonlinear, and distortion is inevitable In a hi-fi system equipped with VU or distortion meters, excessive input causes the needles to kick up into the red range of the scale during peaks Dynamic Range Dynamic range is a prime consideration in hi-fi recording and reproduction As the dynamic range increases, the sound quality improves for music or programming having a wide range of volume levels Dynamic range is expressed in decibels (dB) At low volume levels, the limiting factor in dynamic range is the background noise in the system In an analog system, most of this noise comes from the audio amplification stages In tape recording, there is also some tape hiss A scheme called Dolby (a trademark of Dolby Laboratories) is used in professional recording studios, and also in high-end consumer tape equipment, to minimize this hiss Digital recording systems produce less internal noise than analog systems At high volume levels, the power-handling capability of an audio amplifier limits the dynamic range If all other factors are equal, a 100-W audio system can be expected to have greater dynamic range than a 50-W system The speaker size is also important As speakers get physically larger, their ability to handle high power improves, resulting in increased dynamic range This is why serious audio enthusiasts sometimes purchase sound systems with amplifiers and speakers that seem unnecessarily large.

To deal effectively with errors in your scripts, you need to find out which errors are likely to occur, and then build handlers for them

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