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Both the createObject() and createClassObject() methods allow you to specify a fourth, optional parameter in the form of an initialization object. The initialization object for these methods works just as the initialization object for duplicateMovieClip() and attachMovie() (see 14 for more information on initialization objects).

One physical style, the underline tag, <u>, is available only through the Text Style menu. Use this tag with caution. By default, browsers use underlining to designate links; if you style text with an underline, users expect that text to link somewhere. It s good practice to restrict use of underlining to hotspots, and to avoid underlining as a way to highlight text, even for headings.

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The preceding trap explanations are extremely simplified examples of trapping methods in Illustrator. In reality, objects never seem to be a solid color, and if they are, they re never on a solid background. In addition, most illustrations contain multiple overlapping objects that have their own special trapping needs. I consider trapping to be complex when I can t just go around selecting paths and applying the trap quickly. Complex trapping involves several techniques: Create a separate layer for trapping objects. By keeping trapping on its own layer, you make myriad options available that aren t available if the trapping is intermixed with the rest of the artwork. Place the new layer above the other layers. Lock all the layers but the trapping layer so that the original artwork is not modified. You can turn trapping on and off by hiding the entire layer or turning off the Print option in the Layers Options dialog box. Use the round joins and ends options in the Stroke portion of the Stroke panel for all trapping strokes. Round joins and ends are much less conspicuous than the harsh corners and 90 angles of other joins and ends, and they blend smoothly into other objects. Trap gradations by stroking them with paths that are filled with overprinting gradients. You can t fill strokes with gradients, but you can fill paths with gradients. You can make any stroke into a path by selecting it and then choosing Outline from the Pathfinder panel. After you transform the stroke into a path, fill it with the gradient and then click the Overprint Fill check box (in the Attributes panel) for that path.

9.4.2.1 EFR At rst, the performance with EFR users is examined. A comparison with the same case in the ideal network layout scenario in Figure 9.22 reveals that the irregularities cause a clear relative degradation in uplink performance. However, with a small margin downlink is still the limiting link. The DFCA gain has been clearly improved. At 2% outage level, the DFCA capacity gain is about 72%. 9.4.2.2 AMR The AMR simulations in the typical irregular network scenario have been performed with the same assumptions used in the corresponding ideal network scenario. In the case of AMR users, the irregular network is clearly uplink-limited. When the uplink performance is studied at 2% outage level a capacity gain of 62% can be observed (Figure 9.23). 9.4.2.3 Partial AMR Penetration The performance with partial AMR-capable terminal penetrations in the typical network scenario has been evaluated the same way as was done in the corresponding ideal network

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